Two photographic works realised through books, prints and installation.
MOMENTS emerged from a growing desire to move away from the speed and excess through which photography is now commonly consumed.
The work was developed slowly. Many of the photographs were made through periods of waiting,
observation and return; moments where light, shadow, gesture and presence briefly aligned.
The separation into two volumes became essential to the project’s structure.
Black & white and colour were not treated as alternative versions of the same seeing,
but as fundamentally different ways of experiencing the world.
One reduces and distils. The other expands through temperature.
Both play with ambiguity of the subject.
At its centre, the project asks the viewer to slow down.
Not simply to look at photographs, but to spend time with them.
The photographs within MOMENTS have been brought together through careful sequencing and spatial consideration.
The work is realised through multiple forms: archival photographic prints, artist books, paired editions and installation.
Each format has been approached as part of the wider structure of the project rather than as separate outcomes.
The books are central to this experience. Images unfold through pacing, silence, scale and adjacency,
allowing relationships between photographs to emerge gradually across the sequence of pages.
The installation concept extends this further by introducing physical space, movement and encounter into the work.
Reading tables, display structures and the handling of the books become part of the act of viewing itself.
Across all forms, the intention remains consistent: to create a quieter
and more deliberate engagement with photography.
The photographic prints extend the work beyond the page and into physical space. Released as carefully controlled archival editions,
the fine art prints form part of the wider structure of the project rather than existing as isolated images.
